Category Archives: Information
As I get reenergized and rebooted in my writing career, my publisher and I have made the decision to permanently drop the eBook prices of both my books. So if you’ve been waiting to read either because of price, now is the time…especially Prophetess, because I know it was $6.99 before.
On a related note, I’m in need of some blurbs that I can add to the Amazon page for Prophetess from published authors. If you’re a published author and have read it, I would be very appreciative if you would send me something to use. Or, if you’re a published author and would like to read it, contact me and I can probably arrange a review copy. Thanks!
I’ve been given the go ahead by my publisher to hire a PR Manager/ publicist to handle all aspects of writing and author publicity for me. Responsibilities would include: scheduling book signings, appearances, in-person and radio interviews, online interviews, guest blogs, speaking engagements, and any other approved publicity item. The PR Manager would work closely with me in scheduling to maximize exposure for my current books and upcoming releases.
Compensation. The PR Manager/ publicist will start with 20% of all royalties on sales figures that exceed the baseline of sales prior to starting. In other words, if the PR Manager’s efforts show an increase in sales from what was happening without the PR Manager, then the PR Manager gets paid.
The ideal candidate should be outgoing, creative, love books, and (preferably) love my books. They should also be somewhat local to me (south Mississippi) and having a working knowledge of what kind of publicity opportunities are available within two hours of me.
This is a great opportunity for someone to earn a little extra money and to get involved in the wild, wild west world of the publishing industry. If you’re interested, send me an email at firstname.lastname@example.org.
The Hero’s Journey
The Hero’s Journey, or Monomyth, is a basic pattern for recognizing the major developments in the journey of the main character. It seems that almost every story ever told, from antiquity to modern day, follows this pattern with probably up to 90% completion of every step listed. For the writer who properly understand the hero’s journey, they will develop the ability to predict with reasonable accuracy the outcome of most stories and will have the tools necessary to develop compelling and exciting plots.
The rebels out there are screaming, “Not me! You can’t put me in a box!” Don’t be that way. You’re going to write a bad story. This is not a set of rules, per se. It is an observation over time of how stories work, just like the Law of Gravity came about by the observation of something that naturally existed. The reason the hero’s journey is so prevalent in so many stories is because it is simply the story of life. The ups and downs of life, the dreams and fears, the expectations and goals, the adventurous and romantic spirits…these are things that are part of our lives. It shapes us, our families, our ambitions, our careers, our hobbies. And what so many writers over the ages have done is simply to try to record life. Although often glorified or romanticized, these stories resonate because we want to put ourselves into them, to live them out and take the experiences of the hero as our own. We see ourselves in the hero. We recognize our faults, failures, and successes in those pages.
A good story is a reflection of life. That is why a good story can almost always be described in terms of the hero’s journey, whether the writer intended it to or not. Because a good writer wants to write good stories. Good stories are about life, and the hero’s journey is life.
Joseph Campbell is recognized for his work in developing seventeen major steps for proper development of the hero’s journey. For those who enjoy the deeper methods of how stories are developed, I’ll include Campbell’s steps alongside my own. But I’ve found that a condensed ten step process is easier to handle while plotting and outlining fiction. Please note that as you begin to use this to analyze your own or some other writer’s stories, that the steps may not appear in the story in any particular order. They might not even all be included. But most stories will have at least eight or nine of these ten steps. On the other hand, keep on the look out for variations of the steps used with multiple characters or even villains and anti-heroes. Genres also make a difference in how it unfolds. A comedy might utilize these steps differently than a tragedy.
Here are my ten steps of the hero’s journey, with the Campbell equivalents notated with each.
EXCERPT OF DEVIL’S HIT LIST
Oh no, not again. I’d grappled to a helicopter before. Prayer on my lips, my body hit overdrive. Mindware took charge. Running out into the street, I shot a molecular bonding grapple at the nearest chopper’s belly, and set my winch to reeling.
I sprang up into the air.
On my way up, I shot my left-handed grapple near the top of the canopy.
The pilots had to be freaked. One couldn’t shoot at me without damaging his friend, and the other banked away from the ladies on the ground, wiggling the craft to shake me loose.
When I reached the helicopter, I released my first grapple and allowed the second to wind tight. Snug against the gunship, I gasped for breath against the rotor wash. With my right hand I drew a short sword from its scabbard in the lining of my duster. In a second I had carefully cut the hydraulic line. Fluid spurted across the windscreen like mechanical blood, the bird began to spin, and—the next step required the faith of a prophet—I released from the chopper.